Elisabeth Haarr

Elisabeth Astrup Haarr, born on January 30, 1945, in Hamar, Norway, is a prominent textile artist recognized for her innovative and politically charged works. She studied at the Norwegian National Academy of Craft and Art Industry from 1964 to 1967.

In the late 1960s, Haarr began experimenting with abstract geometric forms in her tapestries. By the early 1970s, her work took on a more explicit political dimension, addressing themes such as colonialism and women’s rights. Notable pieces from this period include “Rhodesia” (1971), “EEC truer oss” (EEC Threatens Us) (1972), and “Chile” (1973).

Throughout her career, Haarr has explored various materials and techniques, creating sculptural installations, banners, and textile sculptures. Her art is both anti-elitist and avant-garde, combining an interest in the materiality and history of textiles with a critical feminist approach.

In 2021, Haarr was honored as the Festspillutstiller (Festival Artist) at the Bergen International Festival, where she presented a comprehensive exhibition of her works at Bergen Kunsthall.

Elisabeth Haarr continues to live and work in Kristiansand, Norway, contributing significantly to contemporary textile art through her innovative and thought-provoking creations.